Ginevra de' Benci

Ginevra de' Benci

Ginevra de Benci is also wearing a black scarf which was fashionable a the time.She is painted in front of a Juniper tree which is a slight pun, as "ginepro" the Italian word for juniper, suggests her name. Intermittierendes Außenschielen. subject of one of only about 17 existing paintings attributed to Leonardo da Vinci.Unlike Leonardo's other portraits of women, this lady looks sulky, unforgiving, and haughty; this is emphasized by the slightly smaller cast other Florentine women of the period, Ginevra has shaved off her eyebrows (this is also obvious in the Mona Lisa). overlaid oil glazes.

Art detectives have also discovered evidence of the personal emblem of the Venetian Ambassador to Florence, Bernado Bembo, is underneath and they suspect that he may have commissioned the emblematic painting on the rear. Listen to the audio pronunciation of Ginevra De' Benci on pronouncekiwi. Part of the painting has been lost at the lower edge, and it is believed that a silverpoint drawing of hands by Leonardo is a study for the missing part of the panel. "Ginevra de'Benci by Leonardo da Vinci." 1969 Brachert, Thomas. Ginevra de' Benci war eine junge Dichterin im Florenz des 15. Walker, John.

Her elegant brown gown shows wonderful details of blue ribbon fastenings, gold braid and a gold pin. Das Bild gehört zu Leonardos frühesten Versuchen mit dem damals neuen Medium der Es wird vermutet, dass das Gemälde im unteren Teil beschnitten wurde;Auf der Rückseite der Holztafel ist, umgeben von einem Lorbeerzweig und einem Palmblatt, ein Spruchband angebracht: Es ist ungeklärt, ob sich das Bild jemals im Besitz der Familie de’ Benci befunden hat. Da Vinci enhanced her beauty, painting her flawless, smooth skin.He used the ends of his paintbrush to create her ringlets. Ginevra de Benci is also wearing a black scarf which was fashionable a the time. Their loss is a great shame as no one painted hands as beautifully as Leonardo.

Da Vinci creates a misty effect in the background using overlaid oil glazes to create his hazy sky.This portrait was quite ground-breaking at the time as it show Ginevra de Benci in a three-quarter pose and her eyes gaze towards the viewer although not making direct contact. The marble appearance of her complexion - smoothed with Leonardo's own hand - is framed by the undulating ringlets of her hair.
Even more significant to Ginevra was Bernardo Bembo, the Venetian ambassador to Florence. She eyes the viewer directly. Leonardo veiled the background of this portrait in a thin veil of mist known as sfumato; this being created with The Benci had business dealings with the Medici and were noted humanists themselves, patronizing artists and writers and creating an important library of classical texts. indicates she was not entirely happy regarding her forthcoming marriage. with the halo of spikes from the juniper bush. Ginevra married Luigi Niccolini in 1474. In 1474 she married Luigi de Bernardo Niccolini. One possibility is that the commission was occasioned by her betrothal. Sign in to disable ALL ads.

This area would ): Besonders zur Rückseitenbemalung Christiane J. Hessler: Ginevra de’ Benci is one of the first known three-quarter-view portraits in Italian art. Die dargestellte Person Ginevra de’ Benci (1457–1520) war die Tochter eines wohlhabenden Florentiner Bankiers. Da Vinci enhanced her beauty, painting her flawless, smooth skin. Jahrhundert befand es sich in der Sammlung des Damit war das Bildnis der Ginevra de’ Benci das bis dahin am Barbara Hüttel, Richard Hüttel, Jeanette Kohl (Hrsg. Studies in the History of Art 1 (1967): 1-38.

Ginevra was around seventeen years old, well-educated and from a wealthy Florence family.


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Ginevra de' Benci 2020